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Museum Settings

Boston Children’s Museum: Boston, MA

Museum

Visiting Artist Workshop: Want to be a Rock Star? 

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Unique Settings

Stonehenge Heritage: Stonehenge, UK

Museum

Stoneworks in Stonehenge

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Early Childhood Settings

Little Learners Lodge: Mt Pleasant, CA

Museum

Stonework Play, Embracing Stonework

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Professional Settings

US Coalition on Play: Clemson, CA

Museum

‘Stonework: A Multi-layered Foundation’

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After School Settings

Pages for Peace Club: Groton, MA

Groton

Stonework Inspires Storytelling

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Beginnings

Stonework Beginnings: HEMS, Nepal

Museum

Creation of Stonework

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 Inner Realm

This includes the imagination and the neurological wiring of the brain through cognition and imagination. This accounts for the ability of the stones to stimulate an internal narrative. This creates great stories to a child who knows best when he is the initiator and doing purposeful play. As adults we need to pay attention and not assume we always know what a child is thinking and doing.

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Social Realm

This accounts for how we use the stones to help us form relationships with others. Each stone is unique, like each person. Stones are big or small, they are tall or short, they are fat or slender, they are different in color, but they are all stones. Not one of them is more a stone than another — like us!

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Imaginative Realm

The accessibility of the stones makes them ideal for stimulating our own imaginations -- superhero, animal god, soldier, and mother.

Once upon a time there was a seven year old girl in a lovely bright pink top that was decorated with white and light pink little circles. With her front tooth missing, she had an infectious smile while engaging in Stonework Play at the Providence Children’s Museum, Providence, Rhode Island. This little girl gathered her stones from the wooden trays, sat down on the ground and started to move her stones to make this story that I would like to share.

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Material Realm

The stones allow us to experience storytelling with all of our senses. They have a strong and almost eternal physical presence and history. They were around long before we were, and will be around long after we have gone. 

Children I have worked with on stonework projects, particularly Stonework Play, seem to develop a special relationship with me. This bears out what the late international infant specialist Magda Gerber describes as the “wants nothing “ observer, someone who wants nothing more than what the child wants to share. That is truly showing respect to the child, and enhances the child's self-esteem.

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Stonework Play Reviews

Peter H. Reynolds

"Diana Suskind is a kindred spirit. Her Stonework is a wonderful companion to my book, The Dot. She reminds us that nature has surrounded us with "dots."...

Diane Levin

  "As child-created creative play with open-ended play materials is rapidly disappearing from the lives of many children—with screens, media-linked...

Elizabeth Jarman

‘Diana is so committed to the power of Stonework Play. She has used her method in many different contexts and discovered how profound its impact can...
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